In Cutlish (Four Way Books), his latest collection of poems, Guyanese-American writer Rajiv Mohabir “creates a form migrated from Caribbean chutney music in order to verse the precarity of a queer Indo-Caribbean speaker…. By joining the disparate threads of his fading, often derided, multilingual Guyanese Creole and Guyanese Bhojpuri linguistic inheritances, Mohabir mingles the ghosts that haunt from the cane fields his ancestors worked with the canonical colonial education of his elders.”